Thursday, September 29, 2011

Protagonistic affair

omega-james-bond-daniel-craig

Ha ha…

this is the moment when the protagonist, newly came to the town, has killed the bad guys from the downtown who were trying to rub the honorable shopkeeper. Yep! He/she is such a badass mudafuka. He/She is now sitting at the drugstore, sipping from a bottle of tasteless beer, flinching to the taste of it, with his forehead being shuddered.

Here comes the shopkeeper’s daughter/son (!) just to thank the protagonist. And there it goes:

The protagonist immediately falls in love with her/him and the grimace disappears from his/her face where a wide open smile replaces which he/she hides shortly after he/she realizes how pathetic it may look like. This is how the story continues.

However, the protagonist is not aware of the fact that what he/she feels is not love, but a perception of being in love which is reflected through the state of mind, ready to fall for it. Although the story ends exactly where we are about to witness how their relationship may have proceeded and considering the fact that this stereotype induces a happy ending, we all know that after a month or two, the protagonist broke up with the girl/boy and pursued his/her adventures toward another town and another girl/boy.

Such a romantic protagonist…

Sunday, September 18, 2011

The immoral, the unjust, and the inhuman

Clint_Eastwood_Caricature_by_fillengroovy

… and yes. This is the moment when the protagonist loads his/her gun and walk to the bad guys. He kills them one by one by his/here unmatchable gun fire.

It is only after the collapse of the last bad guy that he/she sits in a corner and thinks about why he/she as done that. Was it justice? Or the truth? Or just the mayor’s daughter/son whom he/she was badly in love with (or at least thought he/she is so) and the bad guy’s leader was about to marry?

The protagonist, concrete to such fundamental self questions went on his way and bought a bottle of whiskey and enjoyed each and every drop of it until the morning which he woke into it with a terrible headache,

We love you protagonist…

Saturday, September 17, 2011

Modernism

johnny-depp

This is exactly the moment when the protagonist is sick of all that’s happening around him/her. all the nonsense that is fed into the mouth of a generation as a universal definitions of ‘what’s, ‘why’s, ‘when’s and ‘where’s.

The protagonist grabs a bottle of rum and starts sipping from it. He/she is producing some vivid thoughts about the collapse of the whole value systems, ideology, the human perception of himself, the human perception of the world; and he continues plotting it.

The next morning he wakes up next to the village whore, semi-sober.

come on protagonist… :-“

Friday, September 16, 2011

subjectivity

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This is the moment when the protagonist spits on the rock, wipes it with the boot, and whistles the scene away.

The myth is thoroughly ruined though the protagonist already feels legendary.

Fuck’ya protagonist…

focal point

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This is when the protagonist gets all tired of the messes around and all the fury and expectations and anticipations.

the protagonist goes and cheats on his girl and sleeps with the town’s nastiest whore. maybe just to cease the relentless pain of being trapped by his most patriarchal oppressions. the story changes completely from that time on.

shame on you protagonist